Showing posts with label Sequencer. Show all posts
Showing posts with label Sequencer. Show all posts

Saturday, May 30, 2015

Roland TR-606, Juno-60, SH-09 & CSQ-600

It took me forever to get my hands on a 606. Now at last I did it, on a whim. In earlier years (speaking of the 90s and early 00s) I was highly suspicious of everything pre-MIDI. How the heck are you going to sync an old drummachine to a DAW the way you do it with MIDI sound generators? Naaa... go away. That was my way of thinking. Getting an 808 for a couple of hundred bucks: Gone are the days. The 606 is still super-affordable in comparison. So, anyway, my way of seeing CV and DIN sync and analog clock and whatnot has changed drastically in the last, say, 5 years. I have acquired quite a bit of vintage stuff since then. I doubt if I can say anything about the 606 that hasn't been mentioned before. Hey, it's a legend alright!


Roland TR-606 + Roland SRV-2000



Taking my newly purchased 606 on a test drive I ended up with this little track showcasing the fun you can have using its trigger outputs to drive an arpeggiator. In this case I am triggering my Juno-60's arpeggiator with triggers from the 606's High Tom channel. The great thing about rhythmically triggering an arpeggiator is that you can create interesting patterns that don't necessarily repeat (at least not right away), Instant fun!
For the technical details: 606 is being synced by a Roland CSQ-600 CV/Gate sequencer. The CSQ-600 has a DIN sync output so it can sync other TR machines or sequencers while being the master. Here the CSQ-600 not only slaves the 606 but also drives a Roland SH-09 for the bassline of the track. SH-09 and CSQ-600 are a perfect couple. They were practically made for each other. So much fun. There is a tiny bit of Roland SRV-2000 reverb on the TR-606 signal. Other than that, no audio processing.
Enjoy this little demo track!

Saturday, April 4, 2015

Ladik S-180, S-181, S-182 & S-183 Sequencer Family Review + Demos (Youtube Videos)

During the past months I have purchased quite a lot of Ladik modules for my Eurorack modular system. The beating heart of my system is a combo of several of Ladik's sequencer modules. Let me give you an overview of Ladik's sequencer line:

S-180 8-Step Trigger Sequencer (4HP)
S-181 Individual outputs for each of S-180's steps (4HP)
S-182 CV outputs for each of S-180's steps, with small trim pots (4HP)
S-183 CV outputs for each of S-180's steps  with regular pots and step-LEDs (8HP)

Ladik S-180, S-181, S-182 & S-183 Sequencer System
Ladik S-180, S-181, S-182 & S-183 Sequencer System







Now let's go into the messy details:

Ladik S-180

The "mother unit" of all Ladik sequencing modules! The S-180 is an 8-Step Trigger Sequencer with a width of 4HP. It has 8 buttons and 8 LEDs (1 for every step). In order for the S-180 to run you have to feed it with a clock signal (for instance the square wave of an LFO) or triggers or gate signals through its "CLK IN" jack. The steps run from the top (step 1) to bottom (step 8) and then start again at the top. Of course there are other sequencing modes (the order in which the steps are running) but I will go into these later. You use the buttons to activate and deactivate the steps by pressing the step buttons for a short time. A fully lit LED indicates that a step is activated (= outputs a trigger signal at that step), while a half-lit LED shows the current step while the sequencer is running.
Simple as that!
You can change the sequence length between 2 and 8 steps on the fly (while the sequence is running) by pressing the corresponding step key for about 1 second. Cycling through the different sequencing modes is easy: Simply press button 1 repeatedly for about 1s and choose the desired mode. Changing the sequencing mode during play can cause short hick-ups but once it has been changed the S-180 continues running as if nothing has happened.

Originally the S-180 had 3 modes of operation (sequencing modes):

1. Up: Cycling from first to last step
2. Up/Down (Pendulum): Cycling between first and last step with repeating first and last step
3. Random: All steps are triggered after one another in random order, with the possibility of a step getting triggered repeatedly

I requested 2 more sequencing modes and Ladik was so kind to implement them. These are:

4. Random with non-repeating steps: This means that still all steps are played in random order, but with the refinement that no step is allowed to be played more than once in a row. This makes for some nice options. You can for example use it for a pseudo Sample & Hold effect using the daughter-boards S-182 or S-183.
5. Up/Down (Pendulum) with non-repeating first and last step. A must-have in my opinion!

Now you may wonder what sense does mode 4 make if you use S-180 purely as a trigger sequencer? As you won't hear a difference to mode 3? Yes, mode 4 makes sense in combination with the daughter-modules S-182 and S-183 which add CV outputs to the S-180, turning it into a proper step sequencer. I will go into that later.

So, now we have learned that you can alter the sequence length and sequencing modes during operation. What else can we edit on the fly? Depending on how you have set up the S-180 button 2 either sets your sequence length to 2 steps or it sends a manual reset to the S-180, setting it either to the last step of the sequence or instantly to step 1 (this is user-selectable upon turning on the unit).
Next, there is the option of saving your sequencer's current status (including sequencing mode, sequence length and activated / deactivated steps) by pressing buttons 3 and 4 simultaneously. Note that you have to manually save the current status, otherwise the S-180 will restart with default settings or with the last status that you saved.
And last, you can advance the S-180 step by step by holding buttons 7 and 8 together.

Several settings can be customized by pressing a certain button upon power-up. These settings address things like trigger length and reset behavior. You can look up these settings at Ladik's product page for the S-180 (http://ladik.ladik.eu/?page_id=34).

Now let's talk resets. You might think that a sequencer with only 8 steps is a boring affair ("hey, I need 16 or 32 steps!"). Think twice. First of all you have all these nifty sequencing modes that give you quite some variation. But what really makes a sequencer musically interesting is resets. The S-180 has two reset modes: The first mode sends the S-180 to the last step of your sequence when a reset is sensed at the "RST IN" jack so the following clock pulse will set the sequencer back to step 1. This is the appropriate mode if you are using the sequencer in a more "composition-style" environment, for example if you are syncing your modular system to a DAW and want to record a take starting from the first beat in a bar. You simply reset the S-180 either by button press (button 2) or by a trigger or gate signal into its "RST IN" jack, then start your DAW or master sequencer and off you go: S-180 will start on step 1 just as you wanted.
But what if you want to reset your S-180 instantaneously to step 1, say, by sending a trigger signal from another sequencer, a clock divider or a gate signal (for example from your master keyboard via MIDI-CV-Gate converter?). 
Then the "reset to last step" mode is not what you want. That is why Ladik has added another reset mode to the S-180's firmware: instantaneous reset. Now you can "play" the S-180's first step by sending it a trigger or gate signal to its "RST IN" jack and the sequencer will always immediately jump to step 1. Now if you take one S-180 and use its trigger output to rhythmically reset another S-180 then you have already opened up Pandora's Box of possibilities. This way you can get lots of variations from 2 simple 8-step sequencers. I highly recommend getting at least 2 S-180s!
Now it gets even more technical: The S-180 has two modes of implementing resets:
1. "Edge driven": This means that the rising edge of the reset signal sets the S-180 to the last or first step (depending on your setting). So if you send a gate signal to the reset input, only the rising edge makes the difference. The rest of the gate phase will be ignored. This mode is useful if you just want to reset the sequence to step 1 without holding it there for a longer time. Because this is what happens in mode...
2. "Level driven": In this mode the reset is active while the "RST IN" input receives a "high state" by a gate signal, an LFO, a Sample & Hold, a Joystick or whatever module can output CVs. While the reset is active, all clock signals present at S-180's "CLK IN" input are ignored. This mode is great if you want to "freeze" the sequencer on step 1 as long as the reset signal is high. 

If you experience skipping or unreliable reset behavior in reset mode 1 ("edge driven") it might be due to the reset trigger arriving just a bit earlier than the clock signal. This will cause the sequencer to remain on step 1 just for a fraction of a second before advancing to step 2. This can be remedied by delaying the reset trigger by a tiny amount or simply by using reset mode 2 ("level driven") which will ignore the clock impulse while the reset trigger is present at the "RST IN" input (provided the reset trigger signal is long enough).
I have had great results with reset mode 2 ("level driven"). Works perfectly for me.

Summing up, Ladik S-180 is a real powerhouse for a small price and small footprint (only 4HP). Plus it can double as a clock divider, too. Great ease of use, plenty of sequencing modes and great looks! 

Ladik S-181 

A very simple module that only works in conjunction with the S-180. It is a daughter-module that is connected to the S-180 or daisy-chained to a S-182 or S-183 with a small ribbon cable. What does it do? It provides 8 individual outputs for the S-180's trigger signals, one output for each step. That means that when step 1 is active on S-180, S-181 daughter module will output a trigger signal on output 1. Likewise for all other steps / outputs. It is in principle what the Doepfer A-161 is to the A-160.
What is it good for? Well, let's suppose you want to trigger an envelope generator on step 1, retrigger an LFO on step 3, reset a clock divider on step 4 and advance another sequencer on step 6: You can do all of the above with the S-181. Simply connect the corresponding S-181 outputs with the destinations on your other modules. This way you can get nice rhythmical interactions with the rest of your modular system.
You can select the length of the trigger signals output from your S-181 by configuring the corresponding settings on your S-180 mother module. Either 1ms triggers or full-length gate signals are available. 
One little nitpick: I wish the S-181 had LEDs for each output. Maybe at a later time there will be a revision with LED's? Other than that a simple but useful module at a small price.

Ladik S-182

Here we have a really nice addition to the S-180 that turns it from a mere trigger sequencer to a CV step sequencer. A small footprint (4HP) CV output extension with small trim pots. The S-182 connects to the S-180 mother module or daisy-chains to another S-182 or S-183 with a small ribbon cable. In contrast to the S-181 the S-182 has its own power connector.
By the way, longer ribbon cables are available on request, just in case you want to position all these pretty daughter-modules further away from each other.
For every step that is active on the S-180 mother module, the S-182 puts out a CV that is set with a small trim pot for each step. In addition to the 8 CV trim pots there is also a range trim pot on the bottom of the module which serves as an attenuator for all 8 CV altogether.
The trim pots on the S-182 are just that: trim pots. Don't expect them to operate as smoothly as a full-fledged potentiometer. For CVing all kinds of modulation destinations the trim pots are accurate enough. In conjunction with a quantizer (Doepfer A-156 or Ladik Q-010) I have gotten good and accurate results pitch-modulating my VCOs. No worries here! Without a quantizer hitting the right pitch might require some patience but once set, the trimmers work accurately.
Again, a very small and useful addition to your S-180 sequencing system!

Ladik S-183

This is the luxury alternative to the S-182. Slightly wider (8HP instead of 4HP) but with full-size potentiometers with smooth action plus individual LEDs indicating the current step.
Like on the S-182 we get a range pot acting as a main attenuator for all steps. But additionally, further setting itself apart from the more simple S-182 here we also get a transpose knob, offsetting the CV by a manual amount and even externally CV-able via the Transpose input jack! Now we can modulate the CVs that are output by the S-183 externally by another CV. Very cool feature!
The pots used on this module are the same that can be found on other Ladik modules. They are very precise and have a firm action. Well-suited for pitch modulation and all other sorts of CV modulation of course.
I prefer the S-183 over the S-182 but if space is an issue you might want to consider the S-182 instead.

Summary

With his S-180 + S-181 + S-182 + S-183 modules, Ladik gives you the very atomic building blocks of a sequencer to customize your own sequencing system. This is modular philosophy to the bone. Hint: There is also the Ladik S-190 Clock Distributor module available which gives you interesting and unusual clocking options if you are using multiple S-180 combos.
Closing words: Build quality is high, prices are affordable. If you are looking for a sequencer for your Eurorack, check out Ladik! 




Saturday, December 6, 2014

Korg Mono/Poly vs. EHX 8-Step Sequencer & Doepfer Modular Skiff (Youtube video)

Today I wanted to try out how I could spice up a simple 3-note arpeggio on my Korg Mono/Poly by sending some CV modulation to its filter CV input. So what you are hearing here is the Mono/Poly with its lowpass filter cutoff frequency being externally modulated by a small modular rig. I just added some delay and reverb from the Korg SDD-1000 and Dynacord DRP-20.




Running on its internal arpeggiator the Mono/Poly sends out a gate signal for every note. I took this gate signal and used it as a clock source to synchronize an Electro Harmonix 8-Step Program analog sequencer and a Pittsburgh Modular Cell 48 case with 5 Doepfer Eurorack modules.


Korg Mono/Poly

Electro Harmonix 8-Step Program Sequencer

Doepfer A-143-9, A-151, A-138m, A-133 and A-140

My latest modular acquisition is the Doepfer A-138m 4x4 matrix mixer. It really doesn't look flashy at all nor does it have a fancy name. But looks can be deceiving. This IS a highly versatile and mighty tool. What does it do? Well, the principle is simple: It has 4 inputs and 4 outputs. You can route any input (arranged in horizontal rows) to any output (arranged in vertical columns) with whatever level you like. One really useful feature is that you can set each output column to "bipolar mode", meaning you can turn each level knob to the center position for no signal or clockwise for positive and counter-clockwise for negative (inverted) signal. That's a great thing for CV signals, but you can also use it for audio signals for example in order to change the characteristics of a filter or for M/S processing of a stereo audio signal.
So here you can see (and hear) the A-138m in action. The A-143-9 VC Quadrature LFO is providing the Mono/Poly's filter with some nice audio-rate FM while the A-140 ADSR Envelope Generator modulates the amount of LFO signal going through the A-133 Dual VC Polarizer. You can clearly spot the effect of the ADSR in the youtube clip as it creates those "a-u" and "u-a" vowel sounds. The A-151 Sequential Switch is a real funky tool, too. It can be used to cycle through 4 independent signals by routing 4 inputs to 1 output or 1 input to 4 outputs at a time, making for some very interesting rhythmical modulations. You can use it both on CV and audio signals. Hey, you can even build a sequencer with it but I will go into this another time.
This skiff really is a fun little toolbox with lots of functionality in such a small space. Enjoy the demo!